There’s a really cool feature that Tidal has that is hard to replicate in other systems for making music: Euclidean rhythms.
The way you write a Euclidean rhythm is pretty simple.
s "glitch(5,8)" # n (irand 8)
Gives you a pattern of five beats spread as evenly as possible over a pulse of eight. This means that if you did something like
stack [s "glitch(5,8)" # n (irand 8), s "linnhats*8"]
you’ll always hear the hi-hat and the glitch happen at the same time when a glitch beat happens.
One of the things that’s really cool about Euclidean rhythms is that you can actually pattern the number of beats in a cycle and rotate the beats through time. If you try
s "glitch(<5 7>,8,<0 1 2>)" # n (irand 8)
you can hear that the beat has either five or seven beats in a cycle and that the cycle doesn’t repeat in rhythm for awhile. If you’re having trouble hearing it, try taking out the random selection of samples and change the
irand 8 to just